Reading Roman Emotions: Visual and Textual Interpretations

By: EHRENHEIM, Hedvig vonContributor(s): PRUSAC-LINDHAGEN, MarinaMaterial type: TextTextSeries: Skrifter Utgivna av Svenska Institutet i Rom ; 64Publication details: Stockholm Svenska Institutet i Rom 2020 Edition: 1stISBN: 9790000000000Subject(s): Art, Roman | Art, Roman--Italy--Pompeii (Extinct city) | Portrait sculpture, Roman | Rome (Italy)--Antiquities, Roman--Poetry | Sculpture, Roman
Contents:
Hedvig von Ehrenheim & Marina Prusac-Lindhagen | Introduction (pp. 9-18)Susan Matt | 1. Recovering emotion from visual culture (pp. 19-27)Gesine Manuwald | 2.artifices scaenici, qui imitantur adfectus". Displaying emotions in Roman drama and oratory (pp. 29-40)J. Rasmus Brandt | 3. Emotions in a liminal space. A look at Etruscan tomb paintings (pp. 41-67)Hedvig von Ehrenheim | 4. Humour in Roman villa sculpture. Laughter for social cohesion (pp. 69-88)John R. Clarke | 5. Laughter in Roman visual culture, 100 BC-AD 200. Contexts and theories (pp. 89-105)Arja Karivieri | 6. Reading emotions in Pompeian wall paintings and mosaics (pp. 107-116)Thea Selliaas Thorsen | 7. Blindness and insight. Emotions of erotic love in Roman poetry (pp. 117-130)Kristine Kolrud | 8. Breaking Fury's chains. The representation of anger in the Sala di Giovanni dalle Bande Nere in the Palazzo Vecchio in Florence (pp. 131-147)Lena Larsson Lovén | 9. ... and left his parents in mourning ... Grief and commemoration of children on Roman memorials (pp. 149-162)Johan Vekselius | 10. Trajan's tears. Reading virtue through emotions (pp. 163-176)Marina Prusac-Lindhagen | 11. Through the looking glass. Collective emotions and psychoiconography in Roman portrait studies (pp. 177-191)Jan N. Bremmer | Epilogue. Final considerations and questions regarding visual and textual emotions (pp. 193-199)"
Holdings
Item type Current library Call number Status Date due Barcode
Books Books The BIAA David H. French Library
Shelf 51 - Main Room
Q3j EHREN 31971 Not for loan BOOKS-000000024852

Hedvig von Ehrenheim & Marina Prusac-Lindhagen | Introduction (pp. 9-18)Susan Matt | 1. Recovering emotion from visual culture (pp. 19-27)Gesine Manuwald | 2.artifices scaenici, qui imitantur adfectus". Displaying emotions in Roman drama and oratory (pp. 29-40)J. Rasmus Brandt | 3. Emotions in a liminal space. A look at Etruscan tomb paintings (pp. 41-67)Hedvig von Ehrenheim | 4. Humour in Roman villa sculpture. Laughter for social cohesion (pp. 69-88)John R. Clarke | 5. Laughter in Roman visual culture, 100 BC-AD 200. Contexts and theories (pp. 89-105)Arja Karivieri | 6. Reading emotions in Pompeian wall paintings and mosaics (pp. 107-116)Thea Selliaas Thorsen | 7. Blindness and insight. Emotions of erotic love in Roman poetry (pp. 117-130)Kristine Kolrud | 8. Breaking Fury's chains. The representation of anger in the Sala di Giovanni dalle Bande Nere in the Palazzo Vecchio in Florence (pp. 131-147)Lena Larsson Lovén | 9. ... and left his parents in mourning ... Grief and commemoration of children on Roman memorials (pp. 149-162)Johan Vekselius | 10. Trajan's tears. Reading virtue through emotions (pp. 163-176)Marina Prusac-Lindhagen | 11. Through the looking glass. Collective emotions and psychoiconography in Roman portrait studies (pp. 177-191)Jan N. Bremmer | Epilogue. Final considerations and questions regarding visual and textual emotions (pp. 193-199)"